Since New York City’s High Line began rolling out in 2009, adjacent neighborhoods have seen higher rents, higher quantities of tourists and all around higher stakes for the area surrounding the 1.45-mile-long elevated Manhattan park.
The piece, which will be hand-painted by the Brooklyn mural company Colossal Media (they make those faux-artisanal Vans and Jim Beam ads all over the place), depicts a semi-dystopian urban future in which even water towers have been transformed into glassed-in condos overlooking the city. In other words, everything looks like the very Chelsea residential towers that are rising up so quickly behind the High Line.
Cecilia Alemani, the High Line’s curator and director of art, told New York that the comic-style piece works as a “criticism of what’s happening in the cities.” Its placement at the center of gentrification — right in passing view of High Line strollers — makes a very visible point.
(Credit: Friends of the High Line)
Marshall has a cartoon series starring black superheroes, and according to the magazine, the mural is equal parts satire and “makes a previously hidden demographic publicly visible in a visual language — comic drawing — that’s universally recognizable.”
The mural will stay up through May 31, 2016.
Marielle Mondon is an editor and freelance journalist in Philadelphia. Her work has appeared in Philadelphia City Paper, Wild Magazine, and PolicyMic. She previously reported on communities in Northern Manhattan while earning an M.S. in journalism from Columbia University.